YOUTUBE
"Big, Bright Steel" is born from scraps of Cummins engine parts (video 4.26 min)
Jennifer Riley Fire-Fangled Feathers at ALLEGRA LAVIOLA GALLERY (video 8.30 min)
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CATALOGUES/BOOKS
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| 2015 |
NEW YORK STUDIO CONVERSATIONS; Seventeen Women Talk About Art, Edited by Stephanie
Buhmann, ISBN 978-3-941644-83-0, 215 pp.
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| 2015 |
INDIANA UNIVERSITY MFA Thesis Exhibition Catalogue Essayist and Public Lecture,
Bloomington, IN
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| 2013 |
MEMORY FROM SIGHT, Exhibition Catalogue, Essay by Stephanie Buhmann, Allegra LaViola
Gallery, NY, NY
COLOR-TIME-SPACE, Essay by Joanne Freeman and Kim Uchiyama www.viovio.com/shop/45655
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| 2002 |
YOUNG AND BRASH AND ABSTRACT, Exhibition Catalogue Essay by John Yau
Virginia Commonwealth University, ISBN-0935519-25-4 114pp
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| 2003 |
ARRANGED MARRIAGE; OUTERSPACES, Exhibition Catalogue Essay by Marjorie Vecchio,
Chicago Contemporary Arts Council
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| 2000 |
NEW YORK CLASSICISM NOW, Exhibition Catalogue Hirschl and Adler Galleries,
Including essays by Barbara Bloemink and Greg Hedberg Library of Congress ISBN no. 00132451, 48 pp.
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PRESS/PUBLICATIONS
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| 2018 |
BROCHURE ESSAY BY SHARON BUTLER,
Jennifer Riley, “The Machine Series,”
Silas Von Morisse Gallery, New York, NY,
November 20 – December 18, 2018
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| 2017 |
INDYSTAR, "New Cummins Tower Stays True to Company's Aesthetic David Lindquist, Jan. 5
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| 2017 |
THE KEY REPORTER 9/21, Life of the Mind, New York Studio Conversations: Seventeen Women Talk
About Art, Reviewed by Svetlana Alpers
ARTCRITICAL THE ONLINE MAGAZINE OF ART AND IDEAS, Sept.17, " Machines Of Paint
And Other Materials" Critic's pick with brief by David Cohen
TWOCOATSOFPAINT .COM Oct. 16, "Machines of Paint and Other Materials" by Sharon Butler
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| 2015 |
COLUMBUS MAGAZINE, Import /Export / Exports:Big Bright Steel ‚ by CJ Woodring, Photos by April Knox,pp.70-77
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| 2014 |
THE WASHINGTON POST, Review by Mark Jenkins Sunday Nov 9 Out of Bounds, Neptune Fine Art
ART NERD CITY GUIDES: NEW YORK Sept., 23 by Lori Zimmer, Big Bright Steel NYCURBED.com 2014/08/12/7_
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| 2013 |
HYPERALLERGIC.com.
"Standing on the Edge of Space: Painting as Noun and Verb" Interview
by Thomas Micchelli on the occasion of "Memory From Sight" Exhibition
WASHINGTON SQUARE NEWS, NYUNEWS Exhibition review by Marina Zheng
MODERNARTS Interview for ‚"Memory From Sight‚" with Darla Dowling
STEPHANIE BUHMANN ‚"In Conversation" Jennifer Riley February 2013
THE DORSEYPOST , NICKSOCRATES POST (painter's posts) Exhibition Review
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| 2011 |
ARTCRITICAL.COM 'Soundings' by David Cohen
TWO COATES OF PAINT Review of 'Soundings' by Sharon Butler
THE NEW YORK SUN (online) Critics Pick/Review " Fire Fangled Fathers" Franklin Einspruch
JOANNE MATTERA Artblog "A Bettor's Dream, at Carroll & Sons Boston, MA
THE BOSTON GLOBE Review of' A Bettor's Dream' by Cate McQuaid
THE BOSTON GLOBE 'Critic's Pic for A Bettors Dream
THE KALM REPORT, Rough Cuts, YouTubeVideo & brief interview during
Spring Solo Exhibition at Allegra LaViola Gallery
ABSTRACTCRITICAL.COM Purism Off-Kilter:Stephen Westfall by David Cohen
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| 2009 |
ARTCRITICAL.COM, David Cohen, Review of Solo show at Laviola Bank Gallery
THE DOWNTOWN EXPRESS, Stephanie Bulhman Review of solo show at Laviola Bank Gallery
THE JAMES KALM REPORT, Interview for Solo show on YOUTUBE
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| 2007 |
THE BOSTON GLOBE, Kate McQuaid, Review of "Do You Remember?" at OH+T Gallery
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| 2006 |
NEW YORK TIMES, Ken Johnson, "Everywhichway" at Edward Thorp
THE NEW YORK OBSERVER 'M. Navros "Everywhichway"
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| 2005 |
ART NEW ENGLAND May, Review of Spring Formal at OH+T Gallery
BOSTON PHOENIX Review of "Spring Formal" by Chris Millis
LAS VEGAS MERCURY "Less Is More" by Erika Yowell
LAS VEGAS WEEKLY "Dust Gallery Boasts Smart Pairing" by Chuck Twardy
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| 2004 |
THE NEW YORK SUN, July 9th, Gallery Going; Review of work in "Band of Abstraction" by David Cohen
THE COLUMBUS DISPATCH, Gallery Review of 'Venice, Two Views'
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| 2003 |
THE NEW YORK SUN, Nov. 13 Gallery Going; Review of work in "The Sentimental Favorite"
by David Cohen
ARTCRITICAL.COM, Review of "The Sentimental Favorite" by David Cohen
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| 2001 |
THE BOSTON GLOBE Jan 3, Critics Pick by Kate McQuaid
THE SOUTH END NEWS, Jan. 17, Review of ''Recent Paintings'' by Brigid Watson
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| 2002 |
YOUNG AND BRASH AND ABSTRACT Exhibition Catalogue Essay by John Yau
Virginia Commonwealth University, ISBN-0935519-25-4 114pp
THE BOSTON GLOBE June 7, pC27, Review of New Paintings by Kate McQuaid
ARRANGED MARRIAGE; OUTERSPACES Exhibition Catalogue Essay by Marjorie Vecchio
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| 2000 |
NEW YORK CLASSICISM NOW Exhibition Catalogue Hirschl and Adler Galleries, Including essays by Barbara Bloemink and Greg Hedberg Library of Congress ISBN no. 00132451 48 pp
THE NEW YORK TIMES Sept., 8 Review "New York Classicism Now" by Ken Johnson
THE NEW YORK OBSERVER July 17 Review " New York Classicism Now" by Hilton Kramer
THE NEW YORK ART WORLD Sept., Issue "New York classicism Now" by Joyce Korotkin
THE NEW YORKER Aug., 14 Issue
THE BOSTON GLOBE July 8 Review of Solo Show by Kate McQuaid
RETRO ROCKET On-line Review July 10 of Urdang Solo Show by
THE BEACON HILL/BACK BAY CHRONICLE "Symphonic Chromatic Stripes"
By Chas M.Long and Marco Zarattini
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| 1999 |
THE BOSTON GLOBE Sept., 8, Review of " Idioscapes" By Christine Temin
THE BOSTON HERALD August Review of ''Idioscapes'' By Mary Sherman
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| 1998 |
THE BOSTON HERALD Dec., 20, Review of "Drawn" by Joanne Silver
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| 1995 |
THE BOSTON GLOBE, April 5, 1995, 'Living/Arts "The Artist and the Artifact",
by Christine Temin.
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| 1994 |
THE BOSTON GLOBE, September 14, 1994, "Perspectives"; Review of
"The Studio Show" at the Boston Center for the Arts, by Christine Temin,
ART NEW ENGLAND December Issue 1994 Review of 'The Studio Show"
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WORK